Starting All Over 2012 & 2013

2012 & 2013

Last year we decided to forge on ahead with the last 1/3 of our cosmetic renovations.  That meant lounge, dining & kitchen.  All that stuff is now strewn around the rest of the house which we swear has given us a serious list towards the west.  Mr DIY is nearing the end of laying a brushbox floor and has offered to do my garden shed with the left overs.  Too right! 

The thing is of course, that the shed has to be emptied out.  I am now trying to move rather too “many” boxes of fabric stash, habby, dyeing equipment, and silkscreen frames into the house.  Not to mention the odd few sewing machines.  Just where does it all come from?  The other difficulty is trying to make it all look less than it really is…..as you must!  I keep pointing at the frames saying, “They’ll be on the wall soon.”  As if!!  The reality is however, that it could be another month or more before I get to do some sewing.  Sew, what to do?

My Garden Shed - more garden than shed in 2003

Garden & shed much improved but still not sewing, 2008

The answer I’ve decided, rests in the many old reference materials that I’ve brought in from my garden shed.  You know, the lot that you might need someday…  As a consequence, I’ve revisited my blog terms of reference to include a couple of additional goals.  It will continue to be a log of one quilter’s progress that is, mine.  However to add a bit of depth, I plan to include:

Significant influences – those ah-ha moments that set you off exploring down another path.  For some time I’ve read “The Books that Changed Me” in the Sunday paper.  Interesting choices.  What would I choose in my list?  Better yet, what were the occasions that changed my quilting life?

A bit of Art History.  Groan.  Well maybe not.  I’ve kept years (and years) of notes thinking they would come in handy and as we plan to do a bit of touring Europe, I can reacquaint myself with what’s to see and do.  A sort of a Grand Tour inspired to some degree by the indefatigable Sister Wendy and Kevin McCloud.  Only I’ll add my photos as I take them and use words from my notes.  Don’t worry, they’re descriptive and fairly simple.  We weren't taught to think for ourselves way back then.  My teacher in year 11 described herself (a lot) as “Rubenesque”.  It’s the only thing I remember, except for thinking that that wasn’t much to live up too.

(For those wondering where all this is going, be assured that where possible some reference will be made to resources used, including books – remember them?  Main texts used over 7 years of schooling/college were Gardener’s Art through the Ages 1964, Herbert Read’s The Meaning of Art and Carl Roebuck’s The World of Ancient Times 1966.  College was slow death by a flood of slides.  A lot of the notes we were given were roneod, a method of copying first introduced in 1906 and still being used in the 70’s.  Remember that smell of metho in the classroom?)

Updated and going strong in 2021...

Beep! Beep! It’s New York City

East River Hot House: 2012  (Started: 2011)

On display, Australia Day 2013

I purchased some memento fabrics whilst on a shopping trip with Annette in NYC’s Textile District (30/9/10).  We hadn’t seen each other since our Delhi days and it was a fun catch up & craft trip in one.  Aside from rummaging through heaps of button & bead shops, we discovered two quilting fabric sources, City Quilter & Purl Soho. We were Shopping...in New....New York.  Yaaaaaay!

This quilt then is all about the fabrics.  I needed a design that showcased their lively character so, chopping them up into tiny bits seemed almost sacrilegious.  Those special NY themed fabrics!!   It was back to the books for a bit of inspiration, and who better than Kaffe Fassett.  I settled on squares from his Morning Garden Quilt.  (Kaffe Fassett “Kaleidoscope of Quilts” 2006 p60.) 

Back View

Built on a base of 3 squares, the largest being a big 9”; medium 6” and the smallest 3” (finished), this quilt cut up quickly and sewed even faster.  Perfect!  Then it was on to quilting.  I chose to design my own loose pattern of ginkgo leaves, a favourite street tree though out New York.  I imagined crusty brown leaves blowing in autumn winds through romantic Central Park .  Ah, dreaming again!  So after a regimen of 4 bobbins a day for 2 solid days quilting (and that was just a ¼ of the quilt), it was finally done and ready to hang.

(Please note, this is not an exact replica of Morning Garden Quilt, I simply used the pattern piece sizes to construct my own arrangement of squares.  Does that make it a copy?  Good question and one to consider in another post – on another day…)

Quilting Design

Just for the Record:

Quilt Finished Size: 156 x 230cm
Block Sizes: 9, 6 & 3 inch
Cut in: 18/19Mar 2011
Pieced & Basted: 2011 & 12
Quilted: Machine Feb 2012
Quilt Type: Modern
Quilt Finished: 2012
Exhibited: Australia Day, 2013
Collection: Home# 053
Pattern Name: Morning Garden Quilt
Pattern Source: Kaffe Fassett “Kaleidoscope of Quilts” 2006 p60.
Fabrics Purchased: City Quilter & Purl Soho, New York
Fabric Design: City & USA designs
Fabric Style: Modern Memento
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants

If you’re looking for quilting supplies in NYC then

• City Quilter is located at 133 West 25^th Street; and
• Purl Soho can be found at 459 Broome Street.
• (City Quilter even had these lovely printed fabric postcards that I couldn't help but use as my quilt label.) 

A Few Challenges

Gee's Bend Comes to Town

With four unfinished samples from my Art Quilt class, I began to realise the extent of my UFO collection and felt rather keen to do something about it.  Thankfully I’d started keeping a UFO List way back in January 1997.  Every year from them on (with only a few exceptions!), I had made a New Year’s UFO List.  Somehow 2008 became my year of retribution & shame given the large numbers of bits & pieces languishing in my stash.  However, the year got away from me before I could put salve on that distress; though not before stepping out to the Gee's Bend Quilt Exhibition (31 Oct- 2 Nov 08) – sorry no photos allowed – and participating in a group cot quilt for one of our friends.

I wasn't quite as excited about the Gee's Bend Quilts as I imagined I would be.  I think this was in part due to the venue not showing the quilts to their best advantage.  It was crowded and the lighting poor.  Having recently read Nancy Crow's account of her first experience with these quilts (in "Crossroads"), I can better understand the excitement they generated in the quilting community. (By the way, her Artist's Statement is worth reading too!)

Find this catalogue here

Out of interest, here's a couple of links to Pinterest sites so that you can enjoy the eye candy of:

• Nancy Crow's work, and
• Gee's Bend quilts

During our November meeting, we were Stash Challenged by one of the group (who shall remain nameless – and it wasn’t me) with some real uglies.  But I guess that’s what makes it challenging!  My “challenge” pieces sat for a while in the bottom of my garden shed but eventually another challenge for Australia Day 2013 saw them rise to the fore.  They thus became the basis for my “Apron Quilt”, a submission for the Café Exhibition in December 2012 and subsequent "silent auction" during our Quilt Show, Australia Day 2013.  It was a nice little earner for our cause and went to a good home off-island.  You see, all good things come to pass….

Front view

Quilting close-up

Back view

The idea behind this quilt is that even when "relaxing" with my sewing machine, family duties, especially feeding the masses, is not far from my thoughts.  So rather than quilt the apron in a traditional fashion, I wrote a menu of family favourites (with my trusty machine).  I finished it off with tape measure ties - a subtle reminder that there's a need to watch the kilos.  Too much eating, sewing and sitting can be dangerous.  This was really a rather fun exercise (if you'll excuse the pun!).