Counting Your Blessings: 2025

December 2025

Well folks, the Poinsettias are bloomin' so it must be Christmas! 

Things never go to plan, least of all when you really expect them to!  So here I am anticipating the countdown to another new year, with enough time to complete at least one, if not two more quilts, before we head off back to our sailing life in May.  I’ve done an early review of my UFO List; the number seems to hover around 13 -15 annually.  They are generally the same ones though, only one or two new ones are added each year!!  

In the last few days, I’ve managed to prep up backings for Beausejour (Beautiful Journey) and Horta Calling Cards but whether I get them pinned and tacked ready to quilt before we go away for Christmas, is another story.  My St Lucia’s Snowflakes are now on my design wall and I’ve decided to add sashing to contain all that scrappy high energy & colour.  

Beausejour. Top completed. YEAH!!! (Pattern by Beth Shibley)

My blue hourglass variation will be next in line for wall space and sashings but only if I can get my Dutch Coverlet fully quilted.  A few more days under the machine should do it, as long as I can pick up the rhythm of machine quilting, having been away from Bertie Bernina for so long.  And he’s still not made it to the mechanic for a service yet.

A sample of my St Lucia Snowflake blocks

My effort to pack a little pack of “something to stitch” while we were away 2024-2025 worked out quite well.  EPP and plenty of scraps made hand-stitching a pleasure and I even set up some boro work foundations to make a few bags.  My little machine from Walmart did me proud, so I am now deciding what to take with me next year.  I was given the papers from a Margaret Sampson George EPP pattern, Mrs Peach.  It’s amazing stripes and loads of fussy cutting of fabric styles I don’t usually buy.  I’m not even sure I have the templates.  So, what could possibly go wrong?   

Boro stitched scraps to now make into something useful

That’s just what I love about the creative life; you just never know what you’re going to end up with!

Nanny Cool

 March 2025

We are finally home and trying to settle back into land life after our 12-month stint on a sailboat.  Living an itinerant life or just living onboard for such an extended period certainly is possible, but not for me.  I miss home, family and my “creative” outlets too much.  However, in that time I did discover that some types of handwork are practical in calm weather ;) so I will now prep up a workbox for next year.  I did wonder whether his Captainship might ever like to take to a quilting cruise with me?

Right now I’m working on my annual UFO audit.  Fifteen and counting…  And my machine needs a service too, so that’s added to my list of chores.  We are sliding into winter though, and that means it will be a good time to do some machine quilting, so it shouldn’t be long before I have a few finishes to report.  Famous last words.

All is not lost (in theory) however, as Miss P has shown an interest in sewing.  She & I spent a few days on my little Janome, sewing up a cross-shoulder bag for her library books.  She chose her fabrics and colours from my stash.  We had some fun, with an Australian theme for the exterior and strap, and then a flock of friendly chickens on the inside (lining).  After a quick demo, she was off and sewing, with enthusiasm, on the Janome.  It’s fun being a Nanny!

The pattern for her very cute Messenger Bag can be found at Zaaberry's Blogspot.

(Best-laid plans!  It's now the December rush, just before Christmas.  Yet another year has slid by and with it my intention to finish off some UFO's before they are pensionable age!  Also, photos of the bag to follow hopefully... finger's crossed.)      

What a Year, 2024!

So, here we are.  The start of November.  And very little in the way of quilting achieved this year…  All, well mostly all, due to our sailing plans that seem to have taken on a life of their own.  So, what happened?

Supermarket run in our 'other' car

• Our intent for an early start (Feb) this year to get from Trinidad to the US before hurricane season, (June to November) fell apart, waiting on visas. So, the plan was re-written.
• We added a bit more work to our list for completion in Trinidad, as you do, while we were hauled out.  So, very slow off the starting block and yet another plan was made.
• Hurricane Beryl (1 July 2024).  We were not affected, thankfully.  Our revised plan had been to do a a few months of cruising with a visiting friend, then return to Trinidad in September, haul out and fly home.  Not long after arriving In Carriacou (Grenada) and then a few days later in Bequia (SVG), we watched closely, a developing weather system, working its way toward the southern Caribbean islands.  We moved further north to St Lucia avoiding catastrophe unleashed by quickly strengthing Beryl, with, for us, only storm-force winds to contend with.  Tucked well into the lagoon here, we also avoided tidal surge that caused enormous coastal damage.  Given decimation of the islands to our south, the flight of many cruisers to safety in Trinidad and lack of available space to haul in the Chaguaramas boatyards, it made sense to stay in St Lucia. So, we did!

By then, Hurricane season was well underway, islands to our south seriously damaged and Trinidad facilities stretched to the limit.  Leaving our boat for the season in St Lucia was not an option either, though surprisingly, many do.  We slipped sideways, into our next plan.  As going home was now out of the question, we decided to stay with the boat in St Lucia, then when the coast was clear, in November hopefully, make a dash for Chesapeake Bay, in the US, parking our boat and heading home, we’re hoping, by March 2025.  Phew!

Scrappy & colourful hexies (last of the snowflakes!)

During our stay in St Lucia, I’ve managed to stitch the last of my Kingfisher hexies (aka St Lucia snowflakes) on to pre-cut backgrounds.  I’d started stitching them the previous year when we stopped in St Lucia - time flies!  In the hope of getting some stitching time this year, they were part of a little pack of handwork I had prepped to take away with me.  Having finished all the applique, I decided not to stitch the blocks together (given bold background colours) until I get home and can arrange them on my design wall.  Sewing on a boat is do-able, I’ve decided, as long as it’s handwork, easy to pick up and put down, and compact – storage space is limited.

Scrappy Hourglass Variation

I had also packaged up with my supplies, a bag of scraps to make some small bags.  My plan was to stitch them by hand, boro style, then assemble them at home.  However, with time on my hands, and a recently serviced, teeny-tiny sewing machine (not to mention oodles of electricity at the dock!!) I changed my mind, deciding I could manage a few quilt blocks for a scrappy quilt. 

All I had was a selection of lights and darks; no background fabric.  Quilts and quilt making is not a “thing” here in St Lucia.  Tropical weather will do that for you!  So, with no chance of finding something for a background (we’d also had a recent wardrobe cleanout, so nothing there either!!), the hunt was on for a suitable block.  Funnily enough though, I ended back at BethShibley’s Hour Glass Variation.  Big, bold and easy to cut shapes, HST’s that I could manage in my tiny space with only a few tools, and enough scraps to assemble 30 11 inch blocks, with little waste!  Best of all, this pattern works very nicely with a light/medium and a dark contrast, then a cross of either in a colour match. 

Quilter at work - keeping it tiny is not easy!

Let me just say, that a $70 Walmart Brother sewing machine is not quite my ageing Bertie Bernina, but once I’d discovered its foibles (with quite a bit of unpicking), I had 30 colourful blocks to play with.  A sheet became my temporary design wall, however I packed the blocks away to assemble at home.  Availability of fabric for sashing was the hold-up…  My hope is that we can stop in St Martin briefly so that I can visit Lyseth’s “A Stitch at a Time” in Cole Bay.  That’s where I found those beautiful blues for my first Hourglass Variation – also waiting at home for me to sew together.  Next year, I suspect my quilting time at home will go rather too quickly…

Oh, and just to be sure you know, even though I sneakily reduced my mission to complete 9 items in 2024 down to 4, not one thing, on either list, was finished!  Ha ha!  Sometimes, you've really just got to laugh at yourself...  Still, I love a good list and I'm sure next year will be filled with them!

Snowflakes in St Lucia

Every year I take something away with me to sew.  I nearly always carry those projects home untouched.  This year however, was different; I made myself start stitching a box of hexies whilst we were sitting in some welcome St Lucia sunshine. And yes, I've discovered EPP at last. 

My motivation was a cute quilt designed by Rachel Hauser offered as a Stitch-Along project, dare I say it, 5 years ago!  The quilt, called Kingfisher, is simple - even cutting the diamonds and the instructions are clear and precise.  

Whilst at home, I'd prepped up by cutting shapes from scrap box leftovers, gluing (Sue Daley's glue pen) them on whilst watching the telly at night.  This was no precise, fussy-cut project.  I was looking for a riot of colours and indeed, a "happy quilt" outcome.  I've now got a box of more than 100 hexie flowers (the boys called them "snowflakes"), just waiting to be stitched onto my diamonds.  

Williamsburg Bugs (Curious?)

 Waltzing in Spring: 2022  (Started: 2021)

The Curio Collection designed by Betsy Olmsted was another super bargain I purchased at the Abby Aldrich Rockefeller Folk Art Museum Gift shop (Williamsburg, Virginia) in 2019.  So good in fact, I toyed with the idea of getting a second bundle.  Now that I’ve finished this quilt, I’m rather glad I didn’t.

This collection is so distinctive and I am so used to “scrapping from my stash”, that it took me ages & ages to decide on a pattern.  My challenge to myself was to work with only the collection fat quarters and not to add any “blendables” from my stash.  I also didn’t want to cut the pieces too small and ruin all those gloriously bright bugs and butterflies.  Once I found the Fat Quarter Fancy design by Caroline, SewCanShe, in Tula Pink’s wild fabrics, I knew this block, in version II, would work for me.  True to form, it sewed up easily and fairly quickly.  I even managed to make up some smaller squares from the left-over triangles – more fodder for the downsized but still dreaded scrap box! 

Waltzing in Spring out on show at last

But good old Bertie Bernina played up and refused to cooperate, so construction took a little longer than I planned.  Of course, we were still in Covid lockdown during this time too and the repair centre was well outside my LGA.  Such a dance; such a performance!  Dame Nellie Melba could not have done better.

Finally, all blocks were completed.  Not without having to add a few extra fabrics to make up the necessary block numbers, but I think they blend in well with the original collection.  I then spent some time arranging these blocks and finally settled on rows in colour order rather than random placement.  The colours are quite strong and range from blacks to bright colours, so rows seemed the best way to contain all that colour contrast and energy.  The backing was also an interesting decision to make and I finally settled on a bottlebrush design (bright red flowers on a black ground) by Jocelyn Proust then partnered this with a black and white modern print. (Photo when it comes off the wall!).  I quilted this one with a medium stipple in variegated thread.  I rather like the way it reflects the watery theme of so many of the fabrics.  Looking at this quilt seemed to me to be looking into tidal pools, the way we did when we were kids, looking for shells and other exciting bits of sea-life or flotsam. Above the pools, butterflies and dragonflies dance to their own music.  (Check out Heather's amazing collection of rather attractive bugs on Pinterest!)

A few close-up shots

The finished quilt is one that you might either love, or not!  It is quite modern in design, very bold and holds the strength of the fabric design and distinctive colours very well.  I loved the challenges of making this quilt and the opportunity to experiment and grow my own design and quilting skills.  Limiting myself to work with a single collection was a very useful learning experience.  Yes, it was a certainly a moment, and one that I will say I’m glad I had, but doubt I would repeat.

As an afterthought, I’ve finally realised what was bugging me (ha ha!) about the quilt.  It’s modern, fresh and appealing but it really is ALL about the fabric, which is highlighted further by a pattern that features large pieces.  It's not about me, and perhaps not in my style - only time will tell.  It also highlights one of the problems for quiltmakers.  Each quilt takes a great deal of time and effort - from planning to construction.  It’s hard to get to the end and find you are not quite so happy with the result.  Still, it wouldn’t be the first time I’ve unpicked a top to “re-imagine” it!  So, in all an interesting learning experiment and one that took me on a journey outside of my colour-mixing, pattern selecting comfort zone.

Just for the Record:

Quilt Finished Size: 153 x 191cm
Block Sizes: 20cm (8 inch); 7.5” finished
Cut in: 6 September 2021
Pieced: 24 October 2021
Basted: 1 November 2021
Quilted: Machine 27-29 Nov 2022 over 3 full days; 2 reels Gutermann Sulky 30wt 4023 (Natural Taupe) using 12 bobbins (Gutermann 50wt 618).
Quilt Type: Modern
Quilt Finished: 9 December 2022
Exhibited:
Collection: Home #129-2021
Pattern Name: Fat Quarter Fancy II, Free Pattern
Pattern Source: SewCanShe.com**
Fabrics Purchased: From the Abby Aldrich Rockefeller Folk Art Museum in 2019.
Fabric Design: Curio Collection by Betsy Olmsted (See Link above to her Collection)
Fabric Style: Brights; Bugs, Butterflies, Eggs & Corals
Materials Type: Printed Cottons
Wadding Type: Cotton (Warm & White, needled cotton)
Backing: Pieced; 2 fabrics

**SewCanShe by Caroline is a fantastic resource & one that I hope will, over time, help tame that overwhelming stash of mine.  (We can all live in hope!!)

Finding something to bind this quilt was a challenge too!
I ended up with a slate blue Bali Batik that seemed to suit.

Christmas Seminole Tablecloth

Christmas Re-imagined: 2022 (Started: 1987)

My Covid splurge was a new dining room table.  After all, we’d had the sturdy pine one since 1985 and it managed to survive many, many moves and growing children.  So, in December 2021, when I laid out the well-used Christmas tablecloth (made in no less than 1987) on the new table, it looked a little sad.  Hardly a surprise!  So rather than consign it to the bin, I decided on a make-over. 

Yes, the fabrics are definitely a reminder of the 1980’s, and there’s a bit of poly in the cotton selections, but it was worth saving.  I set about separating the two layers (top front & backing), then added some batting.  After wondering for a moment what I was doing when I got it ready to baste, it all came together after giving it the kiss-of-life with machine quilting in a medium stipple – a quick and easy pattern.  I chose a variegated thread to quilt with; bright red, green & a touch of yellow (Gutermann, Sulky 30wt, Colour: 4112, Vintage Holiday).  Finished size at a decent W 143cm x L 248cm.  And I am so over-the-moon with the result.  Should have done it years ago!!

I finished the Christmas Tablecloth makeover on 28 November 2022, just in time for this year’s celebrations with grandchildren.  Better get to decorating the rest of the house, there’s only a few weeks to go!

Making progress at the machine in the cooler weather this year

I am hopeful for a few hours of sunshine to have another photo session.  There's quite the backlog of quilts needing a photo or several.  Fingers crossed that the weather improves!

A temporary "indoor" fix until the sun shines again...

Languish Not…Make Another Quilt!

2022

2021 vanished in a flash, leaving me counting UFO’s and dreaming of more fantastic quilt designs to add to the “To Do - hopefully one day soon - List”.  Hmmm, I should stop reading those enticing magazines!  The year did finish with a flourish, however, as I managed to add 4 quilt tops to the “basted and ready for quilting box”. 

The new year however, became the year of catching up with family & friends as borders and boundaries opened.  Our poor car did not sit idle for long at all as we galivanted across 4 states before settling down to a cold and rather wet winter on the river.  Too cold and wet to work in the outside sewing room (my garden shed).  Meanwhile, other indoor projects took priority; sorting photos being one huge job that has STILL to be finished.

At least the RLI girls were able to meet at Randwick again, and aside from the odd bout of Covid isolation and overseas jaunts, we’ve settled back into the old meeting routine.  I’ve now limited myself to taking portable projects to the meetings too, after having my sewing machine in for a service & repairs twice last year.  It just doesn’t enjoy travelling the way it did in its youth!

So, it was with some relief then, that in October, I had reason to limber up and get Bertie primed for a session of free motion quilting.  Woohoo!  Off and running at last.  Now I am working on quilt #4, so it is good to see a nearly empty box on the shelf.  I seriously doubt it will be done by Christmas this year; it still has quite a bit of embroidery to add once the quilting is done.  Never mind, it’s all progress. 

Wishing everyone a Merry Christmas, a prosperous New Year and time for lots and lots of stitching.

Clip Art from The Graphics Fairy

Stylish Gifting

Japanese Knot Bags 2021

Again, and after successful home-made gifting in 2020, I was determined to give it a shot in 2021.  I was on a roll!!  I decided to undertake another set of bags made of fabrics selected only from my stash.  This time, I wanted a smaller bag but with a twist; again, a reference to Japanese style.  This time I concentrated on a more traditional knot bag handle design but wanted a “standing” bag – a square bottom.  It needed to be big enough for a large phone or mail (yes, we still get letters, mostly bills ; ) in the post) and would keep keys, masks and other odd bits together if dashing to the shops. 

I settled on a great pattern from sumoftheirstories.com, found on 23rd October.  I cut all the bags out at once (8 Nov) and then started madly sewing until 12^th December, cutting it quite fine for Christmas gifting.  I did though, have fun with a Spotlight selection of Aussie flower and bird designs by Jocelyn Proust.  Don’t you just love her modern prints! 

Finished Size of bag: w-4.5; h-7.5; d-2.5 (inches) & w-11.5; h-19; d-6.5 (cms); Finished size of straps or handles: Width: 2in or 5cm; Lengths: long strap L-12 (30.5cm); short strap L-7 (18cm).  Sizes are for your information only and are in accordance with changes I made to the original pattern offered on sumoftheirstories.com to suit my needs.  Once cut out and quilted (onto wadding leftovers), I could make 3 to 4 a day.  

These bags worked up a treat, were relatively simple to make and I think, were well received.  Over the year, I finished off a few more, in all 27 bags completed.  I used them for Christmas or thank-you gifts; many were donated for raffle prizes. 

Cheese & Mustard

Scrappy Bow Ties: 2021  (Started: 2020)

There’s nothing better than putting together all those odd scraps that are too good to throw away but just never seem to be "just right" when planning a new quilt.  I certainly needed to find something to suit a bundle of squares I’d cut ages ago that were sitting idly in my scrap bin.  Enthused by Bonnie Hunter’s scrap philosophy, and the amazing results she achieves, I launched into her Cheddar Bow Ties pattern (2011).  

All I needed were 3 x 2 ½" squares of each fabric to be able to cut sufficient bow ties to make blocks for a decent sized quilt.  Bonnie used a cheddar fabric as her background. Yellow cheese is very popular in the US.  (US-ians like their butter white, too!  We think it’s a real hoot since we’re partial to white cheese and our yellow butter!).  Back to background choices…for some mad reason I went for a caramel colour (Dijon mustard, anyone?) which looked fine with my individual blocks but somehow became Doctor Strangelove and took absolute control when the top was finally pieced.  It was too late to make any changes, so I just had to go with the “flow” and try to make the best of a not-so-appealing background.  

This was supposed to be a “quickie” but I guessed machine quilting was not going to do anything to soften my background choice, so instead settled on hand quilting and using a thick perle cotton thread.  Deep in my thread box, I discovered some skeins of sashiko thread; a nice variegated red through green with an acid green/yellow as well.  I needed a crowbar of a needle, no hoop, miles of masking tape and lots of patience; but it’s finished at last.  The lines are ½” apart and I worked out each one took about 45 mins or more to do.  At best, I managed 3 rows a night, with regular breaks to rest sore fingers.  I’m holding off doing some Japanese boro work for a little while now.  Although I NOW have to confess to loving the look.

I tidied up the edges with a wild Aboriginal design full of colour and movement.  It’s Shirleen Campbell’s “Women Dancing for Rain‘.  It’s an unusual choice for me for this type of quilt but came about after (fabric) shopping with my quilting buddy, Yvonne.  It really does help to step back sometimes and consider other people’s opinions.  

Just for the Record:
Quilt Finished Size: 169 x 169cm 
Block Sizes: 10” (made up of 4 x 5” bow ties) 
Cut in: 12 Apr 2020 (started)
Pieced: 22 May 2020
Basted: 18 Jun 2020
Quilted: Hand: 28 Sep 2021
Quilting Thread: Japanese Sashiko Thread x 2 skeins
Quilt Type: Traditional 
Quilt Finished: 30 Sep 2021
Exhibited: 
Collection: Home #073
Pattern Name: Cheddar Bow Ties
Pattern Source: Bonnie Hunter, 2011
Fabrics Purchased: From the Stash…
Fabric Design: Prints, Stripes & anything to hand really
Fabric Style: Old to Bold
Materials Type: Printed Cottons 
Wadding Type: Cotton
Backing: Pieced using left-over remnants 

Further Reductions to the Scrap Box

Doll’s Bed Quilt: 2021

Little Miss came to stay and while I stitched some of her “clothing repairs”, I set her a task to make a pretty design using some 2 ½” squares I’d cut from leftovers for my scrap bin.  I’d been inspired by Pat Sloan’s very practical scrap sorting philosophy.  Let’s just say, it’s a fantastic idea and soooo organised…but a lot of work (just yet for me, anyway!) with my scrap box still fit to burst.

We decided that her design looked so nice it was deserving of being sewn up into a doll’s quilt.  I finished it off after she’d left for home, adding a cute little pillow and as a special surprise, finished off a cloth doll kit she’d been given as a gift. 

How wonderful to finish something in a matter of days! 

I watched quite a few great videos to work out sizing and this one by Treasurie (less than 4 minutes) was certainly helpful, particularly for making the pillow and pillow case.  Size depends very much on the doll and the bed you have. 

Just for the Record:

Quilt Finished Size: 37 x 40cm

Pillow Finished Size: 19.5 x 11cm
Mermaid Finished Size: 36cm tall
Block Sizes: 2”(quilt & pillow) finished
Cut in: 18 Aug 2021 (started)
Pieced & Basted: 25 Aug 2021
Quilted: Machine: 25 Aug 2021
Quilt Type: Doll Quilt
Quilt Finished: 28 Aug 2021
Exhibited:
Collection: Gifted #23
Fabrics Purchased: From the Stash…
Fabric Design: Prints, Stripes & Dots
Fabric Style: Brights
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants

TideMark

Tidemark: 2021  (Started:2019)

I just love scrap quilts and after a rather too-long hiatus and an overflowing scrap bin, I felt the urge to search the net for inspiration.  Thanks to viewing an “extreme” (well, for me) quilt collection makeover by Pat Sloan, dying of envy for Jeni Baker's (In Colour Order) organised stash and suggestions by my friendly quilting buddies to check out Bonnie Hunter for her scrappy quilts, I present to you my take on Bonnie Hunter’s 2014 leader & ender challenge quilt.

Bonnie’s original design inspiration came from an old quilt named “Stained Glass”. It was made in 1890 by Frances Clarke Westergren of Boston and can be found in the book “Massachusetts Quilts, Our Common Wealth”.  It looks just fabulous as it is but also serves as great design to mess about with and to add your own personal touches. 

My scraps were not so much scraps but fabrics from a Moda Metro Mixologie Layer Cake pack lying dormant in my “Collections” box just waiting for the right moment to present itself.  I wanted a modern look, and if anything, thought using this selection of fabrics might lead to the quilt looking a bit too samey-samey (bland!).  Perhaps to rescue it, I decided on a black and whites for the corner blocks.  Not wanting to waste any of my Layer Cake pieces, I modified Bonnie’s block to suit, i.e. larger pieces.  Now that took some math effort! 

I’m normally fairly lazy when it comes to cutting – lulled by the ever-accurate rotary cutting instructions in Judy Martin’s books, so this came as quite a shock for the old grey matter.  Never-the-less it worked out and my math held up, until after a loooong break in proceedings, I inadvertently cut my remaining corner squares the wrong size.  Back to the drawing board, hi ho!  I now cut shapes then store them in sandwich bags; all clearly labelled with sizes.  

I’d planned to make this for a friend’s 60th (it did take a wee bit longer though) as the colours seemed to suit those chosen for her house renovation.  And the modern design, highlighted by the black & white corner blocks, looked great.  To me, it was very much in keeping with her outlook on life.  She loves the water, and as the quilt looked rather like tiles in an exotic swimming pool, I chose to finish it off with a medium stipple (or meander) pattern.  

For those interested in Pat Sloan’s stash management process, here is a link to her blog post.  Pat offers a quick and easy approach to sorting out the bags, boxes and suitcases full of scraps into functional scrap sizes. Now all I need is the time to be so organised - ha ha!   

The garden is a bit too shady to show the quilt colours at their best

Just for the Record:
Quilt Finished Size: 159 x 190cm
Block Sizes: 4.5 x 8.5” rectangles; 2 ¾” squares (incl s.a.)
Cut in: 17 Jan 2019 (started working out pattern size)
Pieced Started: 21 Mar 2020; Finished: 28 Dec 2020
Basted: 2 Jan 2021
Quilted: Machine: 15 Mar 2021
Quilt Type: Modern
Quilt Finished: 24 Mar 2021
Exhibited:
Collection: Home #071
Pattern Name: Lozenges
Pattern Source: Bonnie Hunter 2014 (PDF pattern here)
Fabrics Purchased: Moda Metro Mixologie layer cake…
Fabric Design: Prints, Stripes & Dots
Fabric Style: Brights
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants
 

Progress underway in 2020

Cross Roads

At this point (the start of 2021) and with time at home to think, I found myself dithering over where and how to organise my posts featuring finished quilts.  When I started this blog, it was easy to list quilts by "year started" as all I had was a photo of a finished article.  Now I am at a cross-roads with UFO’s.  I have bits & bobs here & there and lots on the go in the WORK BOX too.  Not to mention quite a few unfinished items.  I wonder (to myself loudly) if it wouldn’t be easier to change mid-stream and begin tagging projects by year finished.  What a beat-up!  What a lot of work!

But this great idea has since hit the floor with a thud… Everything would have to be re-arranged and perhaps nothing would make any sense.  There would be no apparent logical order.  And the world as we know, loves order.  Yes, even finding it in chaos. 

However, I've since had an epiphany. My plan now, after all this wasted time on “will I or won’t I” debate, is to note:

   1. The FINISH & START year in my post sub-headings. 

   2. The FINISH year in a "label cloud" making it easy to search.  

All dates will still be located in "Just for the Record" notes of each finished quilt and every post will still be dated according to time/date posted.  In all, this organisation should allow me to easily find key quilt dates, and enable linking of posts (perhaps), even in-progress reports (if I'm super-keen).  I’m so very slow to finish quilts, some taking years (and years) to finish so it is easy to forget details.  And doesn’t everyone keep digital photos and an excel spreadsheet (a documented quilt list) of their wonderful creations?

There, that feels better.  Now, did you really need to know this? 

Wildflower in the Blue Mountains

 

Shopping from Home - oh, stash...

 Making Christmas Gifts (Japanese Rice Bags) 2020

In the interests of “shopping from home” for Christmas gifts in 2020, I decided to make simple bags from my stash for family and friends.  I wanted something that was a useful size, not too complicated to sew and yet looked a bit different.  Take a bow, the humble Japanese Rice Bag, Komebukuro.  Stuart Hillard offers an easy-to-follow tutorial that makes fun viewing. (Link to his Japanese Rice Bag tute here).  Stuart’s pattern is a classic box shape but I wanted something a little more tote-like (probably not a rice bag, then?) with handles.  I’d also seen a pattern with ties rather than handles, a Furoshiki Tie Bag but the pattern was rather complex and used quite a bit of fabric.  BeBe Bold had a nice one but they don’t appear to stock it any more.  It did require quite a bit of fabric making it somewhat of an expensive kit.  This one by Kokka Fabrics looks good too – but I’ve not tried it yet.  (Now that I look at it, the Kokka pattern was similar to the one included in the BeBe Bold kit!) I really loved the little tie handles that made it just so sweet.

Margaret uses hers for her knitting 

Eventually, I settled on a pattern from SewCanShe.  Her Japanese Tote comes together very well and I managed to make two, maybe three bags a day, once I had everything cut up and ready to sew.  I also used wadding leftovers rather than interfacing to strengthen the bag.  I didn’t add drawstrings, they pulled the bags and made them look a bit too unstructured for my liking.  The bags worked up a treat, were relatively simple to make and I think, were well received.

A fun print and who doesn't love polka dots?

Of course I gave them all away before taking a photo.  As you do!  And as we're not quite out & about so much these days, it may take a while until I can locate one for the blog shot... 

(Ed: Visits made and photos finally taken...only 18 months later!!)

A Sunshiny Day

 Summertime: 2020  (Started: 2016)

This quilt was something of a mis-adventure.  I just loved being able to paper-piece these wonderful Sue Ross circles and so, for quilt #3 in this design, decided on using a selection of blacks and whites I had acquired over the years.  Yes, including a stash of FQ’s purchased from Keepsake Quilting in 1999.  So, in early 2016, I began piecing up my B&W Circles of Fun.

I kept at it for a while but something was just not working and so it was stuffed, forthwith into the UFO Box.  Fun it was not.  March 2019 must have been a watershed moment because I don’t often unpick a quilt to basics.  But this one needed it. 

Thus, after lingering for another 12 months, it assumed priority as a project to complete during my “early pandemic” therapy.  I really just wanted this B & W monstrosity finished and off the books.  So as to speak!  Its rebirth took most of 2020; I trimmed down the size, removed those hideous pink circles, and turned the border into the backing.  And voilà, all ready for quilting.  By 25^th December 2020, I had another long-term UFO finished.  I added a final touch of bling with some of my grandmother's black buttons to tone down the little yellow centre circle. In honour of it's December finish and bright vibe, it was named “Summertime”. 

A holding photo until I can get a better shot - I'm learning lots about photographing quilts too!
And now that I look at it, I think that centre yellow circle may have to go too...

View the top pre-makeover.  All I can say is, that at the time, it was getting there.  Where-ever "there" is.  Now, I know for sure it’s not the best thing I’ve ever done, but at least its finished and was fun to make.  A foray, if you will, into the world of modern quilting that de-railed a bit but as it’s often said, “the next quilt is your best one”.  That’s rather like “free beer tomorrow” offered at your local.  We’ll see.  

And if you want to share some sunshiny too, here's Jimmy Cliff.

Just for the Record:
Quilt Finished Size: 131 x 131cm
Block Sizes: 21”
Cut in: 13 Feb 2016 (started)
Pieced (1^st try): 8 Apr 2016
Still in Work Box: 24 Jan 2017 (not loving it)
Reconstruction: 26 Mar 2019
Top Pieced: 20 Feb 2020
Basted: 25 Feb 2020
Quilted: Machine: 20 & 22 Dec 2020
Quilt Type: Mostly Modern
Quilt Finished: 25 Dec 2020
Exhibited:
Collection: Gifted 3 Oct 2023
Pattern Name: Circles of Fun
Pattern Source: Sue Ross
Fabrics Purchased: The Stash & B&W Medley purchased in 1999…
Fabric Design: Prints, Stripes & Ethnic prints
Fabric Style: High Contrast B & W with a dash of yellow
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants of original borders

Out of the Box...At Last!

 Antique Toys#3: 2020  (Started: 2006)

Well, thank goodness this quilt, be it ever so small, is finally out of the UFO Box and on the Quilt Bed with all of its other buddies. Started in 2006, when I was confined to home with a broken leg, this seemed the perfect something to keep me busy.  And off my feet.

There’s not a lot to tell other than it was quite obvious that once I started this quilt, I regretted taking it on.  Not so much for the blocks; even the applique was quite enjoyable and finding a suitable border to contain it all was not so difficult.  I stipple quilted the blocks and achieved that finish in two days, so I can only say it was perhaps an “allergy” to embroidery that caused this project to sit for so long…well, it sounds a likely tale.  The good news it is finished.  At last!  An embarrassing 14 years UFO.

Not lavished with too much embroidery...

Just for the Record:
Quilt Finished Size: 130 x 160cm
Block Sizes: 12”
Cut in: Prior to 2006 (some blocks started); Work continued from 21 Aug 2006
Pieced & Basted: Blocks worked between 2006 - 2011;
On Design Wall: 2011; Needs Quilting & Embroidery 2013
Quilted: Machine: 4-5 Jan 2014
Embroidered: Hand: Autumn/Winter 2020
Quilt Type: Traditional
Quilt Finished: 31 Jul 2020
Exhibited:
Collection: Home #068
Pattern Name: Antique Toys
Pattern Source: Cindy Taylor Clarke, 1983
Fabrics Purchased: From the Stash…
Fabric Design: Prints, Stripes, Mixed
Fabric Style: Vintage look
Materials Type: Printed Cottons
Wadding Type: Cotton

Backing: Pieced using left-over remnants 

View of the back & the Drum signature block

Previous posts about this quilt design can be found (somewhat embarrassingly) in 1988  and  2006.