Showing posts with label sari. Show all posts
Showing posts with label sari. Show all posts

Thursday, 8 January 2015

Yellow for Sun Gods

Indian Sari Series #3: 2011  (Started: 2004)
Konark’s Chariot

Lesson for photographers: lighting from behind doesn't work in this instance!
I’m not sure there’s a lot more to say about this one, number three, but oh my, that’s some interesting yellow to work with.  Very sadhu (holy man)!  I fussy cut a stripped ikat to add detail to the stars and used quite a collection of fabrics.  Lastly, rather than feature one large piece, I added two borders, offset, by that strong blue. 

Ah yes, there’s still more fabric waiting to be made up to add to this series.  One day, one day…..

(The Konark Sun Temple, a 13th c Hindu temple, takes the form of a huge chariot for the Sun God, Surya.  It symbolises the passage of time: seven horses pull the chariot on 12 pairs of wheels.  Located in Orissa.  It is spectacular!)

Machine washed & clothes-line wonky
Just for the Record: 
Quilt Finished Size: 115 x 164cm
Block Sizes: various
Cut in: 2004
Pieced & Basted: Machine Pieced 2004; Basted 2005
Quilted: Machine 2011
Quilt Type: Own Design
Quilt Finished: Jan 2011
Exhibited: Australia Day, 2011
Collection: Home# 044
Pattern Name: Army Star, p35*
Pattern Source: Own Design
Fabrics Purchased: India 2004
Fabric Design: Ikat
Fabric Style: Handwoven Cotton
Materials Type: Cotton
Wadding Type: Cotton Batt
Backing: Cottons_Indian dress fabrics

*101 Fabulous Rotary-Cut Quilts” by Judy Hopkins & Nancy Martin

Tuesday, 6 January 2015

Delectable Mountains

Indian Sari Series #2: 2011  (Started: 2004)
Sun Temples in the Heat Haze

Australia Day Exhibition 2011
As always, once you actually start something it doesn’t take long to want to make another.  This time I chose “Delectable Mountains” as my basic pieced panel along with a substantial and oh-so-very interesting piece of ikat fabric to make up this quilt.  Again, I was inspired by the fabrics and considered how best to use them without losing their character.  Finally, I settled on making up an interesting sari pallu design. That brings together my interests in traditional clothing, textiles and pieced designs.



To add to the effect, I pieced up a backing making do with leftovers and “interesting” bits – all purchased at Nehru Place, of course!  Needless to say, it was all machined, including the quilting.  I added a few cowrie shells for good measure.
Backing with machine quilting showing - just!
Just for the Record:
Quilt Finished Size: 112 x 160cm
Block Sizes: various
Cut in: 2004
Pieced & Basted: Machine Pieced 2004; Basted 2005
Quilted: Machine 2011
Quilt Type: Own Design
Quilt Finished: 2011
Exhibited: Australia Day, 2011
Collection: Home# 043
Block Name: Delectable Mountains, p71*
Pattern Source: Own Design
Fabrics Purchased: India 2004
Fabric Design: Ikats
Fabric Style: Handwoven Cotton
Materials Type: Cotton
Wadding Type: Cotton Batt
Backing: Cottons; Indian dress fabrics

*101 Fabulous Rotary-Cut Quilts” by Judy Hopkins & Nancy Martin

(This piece looks a bit wonky as it had just
been washed but I think it better represents colour.) 

Friday, 2 January 2015

Challenging Colours & Fabrics

Indian Sari Series #1: 2010  (Started: 2004)
Garden in the Amber Fort

On display at the Australia Day Exhibition 2011
I wanted a simple block to highlight several ikat handloomed fabrics I had discovered in Nehru Place.  And feature those bold colours so loved in India!  I found an interesting design for a background in a bamboo sampler design that I adapted.  It was interesting because the plaid increased incrementally over the length of the quilt.  This seemed a great place to make a start.  I also deliberately chose an asymmetrical design – I guess that’s the Japanese influence coming out too. 

Preparing my fabrics wasn’t easy as I only had a bucket in my shower to wash them.  Here I learned about renegade dyes…. And then later about fussy cutting! The quilt went together quite easily and as always the ever-reliable Hopkins & Martin ensured my rotatory cutting was less wasteful and more accurate.  The main feature for this whole “set” of quilts however, was always going to be that fab ikat fabric.  Don't even ask about the choice of yellow - it just seemed to work...

Close-up of fabrics, quilting & those prairie points

With a few bulges...line dried
Finally I used a sarong I’d purchased in Kathmandu as backing.  The colour red has special significance especially to married women in India & Nepal.  The whole thing was machined and I managed to eventually locate some wadding to baste it together. (Wadding is not something needed in Delhi’s warm climate, although there are traditional quiltmakers – just not quilts similar to the ones we were making.)

For those interested (& as it’s quite fashionable at the moment) ikat is a resist “tie & dye” process where threads are dyed in a specific pattern before being woven to complete the design.  Here’s a few descriptions of the ikat process to follow up on:

Here's a simple description of ikat or a more complex one with lots of detail to follow up on.

 
Just for the Record:
Quilt Finished Size: 119 x 140cm
Block Sizes: various
Cut in: 27th Jun 2004
Pieced & Basted: Machine Pieced 2004; Basted 2005
Quilted: Machine & Hand 2010
Quilt Type: Own Design
Quilt Finished: 2010
Exhibited: Australia Day, 2011
Collection: Home# 042
Pattern Name: Various
Pattern Source: Own Design
Fabrics Purchased: India 2004
Fabric Design: Ikats
Fabric Style: Handwoven Cotton
Materials Type: Cotton
Wadding Type: Cotton Batt
Backing: Cotton Sarong