Cheese & Mustard

Scrappy Bow Ties: 2021  (Started: 2020)

There’s nothing better than putting together all those odd scraps that are too good to throw away but just never seem to be "just right" when planning a new quilt.  I certainly needed to find something to suit a bundle of squares I’d cut ages ago that were sitting idly in my scrap bin.  Enthused by Bonnie Hunter’s scrap philosophy, and the amazing results she achieves, I launched into her Cheddar Bow Ties pattern (2011).  

All I needed were 3 x 2 ½" squares of each fabric to be able to cut sufficient bow ties to make blocks for a decent sized quilt.  Bonnie used a cheddar fabric as her background. Yellow cheese is very popular in the US.  (US-ians like their butter white, too!  We think it’s a real hoot since we’re partial to white cheese and our yellow butter!).  Back to background choices…for some mad reason I went for a caramel colour (Dijon mustard, anyone?) which looked fine with my individual blocks but somehow became Doctor Strangelove and took absolute control when the top was finally pieced.  It was too late to make any changes, so I just had to go with the “flow” and try to make the best of a not-so-appealing background.  

This was supposed to be a “quickie” but I guessed machine quilting was not going to do anything to soften my background choice, so instead settled on hand quilting and using a thick perle cotton thread.  Deep in my thread box, I discovered some skeins of sashiko thread; a nice variegated red through green with an acid green/yellow as well.  I needed a crowbar of a needle, no hoop, miles of masking tape and lots of patience; but it’s finished at last.  The lines are ½” apart and I worked out each one took about 45 mins or more to do.  At best, I managed 3 rows a night, with regular breaks to rest sore fingers.  I’m holding off doing some Japanese boro work for a little while now.  Although I NOW have to confess to loving the look.

I tidied up the edges with a wild Aboriginal design full of colour and movement.  It’s Shirleen Campbell’s “Women Dancing for Rain‘.  It’s an unusual choice for me for this type of quilt but came about after (fabric) shopping with my quilting buddy, Yvonne.  It really does help to step back sometimes and consider other people’s opinions.  

Just for the Record:
Quilt Finished Size: 169 x 169cm 
Block Sizes: 10” (made up of 4 x 5” bow ties) 
Cut in: 12 Apr 2020 (started)
Pieced: 22 May 2020
Basted: 18 Jun 2020
Quilted: Hand: 28 Sep 2021
Quilting Thread: Japanese Sashiko Thread x 2 skeins
Quilt Type: Traditional 
Quilt Finished: 30 Sep 2021
Exhibited: 
Collection: Home #073
Pattern Name: Cheddar Bow Ties
Pattern Source: Bonnie Hunter, 2011
Fabrics Purchased: From the Stash…
Fabric Design: Prints, Stripes & anything to hand really
Fabric Style: Old to Bold
Materials Type: Printed Cottons 
Wadding Type: Cotton
Backing: Pieced using left-over remnants 

TideMark

Tidemark: 2021  (Started:2019)

I just love scrap quilts and after a rather too-long hiatus and an overflowing scrap bin, I felt the urge to search the net for inspiration.  Thanks to viewing an “extreme” (well, for me) quilt collection makeover by Pat Sloan, dying of envy for Jeni Baker's (In Colour Order) organised stash and suggestions by my friendly quilting buddies to check out Bonnie Hunter for her scrappy quilts, I present to you my take on Bonnie Hunter’s 2014 leader & ender challenge quilt.

Bonnie’s original design inspiration came from an old quilt named “Stained Glass”. It was made in 1890 by Frances Clarke Westergren of Boston and can be found in the book “Massachusetts Quilts, Our Common Wealth”.  It looks just fabulous as it is but also serves as great design to mess about with and to add your own personal touches. 

My scraps were not so much scraps but fabrics from a Moda Metro Mixologie Layer Cake pack lying dormant in my “Collections” box just waiting for the right moment to present itself.  I wanted a modern look, and if anything, thought using this selection of fabrics might lead to the quilt looking a bit too samey-samey (bland!).  Perhaps to rescue it, I decided on a black and whites for the corner blocks.  Not wanting to waste any of my Layer Cake pieces, I modified Bonnie’s block to suit, i.e. larger pieces.  Now that took some math effort! 

I’m normally fairly lazy when it comes to cutting – lulled by the ever-accurate rotary cutting instructions in Judy Martin’s books, so this came as quite a shock for the old grey matter.  Never-the-less it worked out and my math held up, until after a loooong break in proceedings, I inadvertently cut my remaining corner squares the wrong size.  Back to the drawing board, hi ho!  I now cut shapes then store them in sandwich bags; all clearly labelled with sizes.  

I’d planned to make this for a friend’s 60th (it did take a wee bit longer though) as the colours seemed to suit those chosen for her house renovation.  And the modern design, highlighted by the black & white corner blocks, looked great.  To me, it was very much in keeping with her outlook on life.  She loves the water, and as the quilt looked rather like tiles in an exotic swimming pool, I chose to finish it off with a medium stipple (or meander) pattern.  

For those interested in Pat Sloan’s stash management process, here is a link to her blog post.  Pat offers a quick and easy approach to sorting out the bags, boxes and suitcases full of scraps into functional scrap sizes. Now all I need is the time to be so organised - ha ha!   

The garden is a bit too shady to show the quilt colours at their best

Just for the Record:
Quilt Finished Size: 159 x 190cm
Block Sizes: 4.5 x 8.5” rectangles; 2 ¾” squares (incl s.a.)
Cut in: 17 Jan 2019 (started working out pattern size)
Pieced Started: 21 Mar 2020; Finished: 28 Dec 2020
Basted: 2 Jan 2021
Quilted: Machine: 15 Mar 2021
Quilt Type: Modern
Quilt Finished: 24 Mar 2021
Exhibited:
Collection: Home #071
Pattern Name: Lozenges
Pattern Source: Bonnie Hunter 2014 (PDF pattern here)
Fabrics Purchased: Moda Metro Mixologie layer cake…
Fabric Design: Prints, Stripes & Dots
Fabric Style: Brights
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants
 

Progress underway in 2020