Making New Friends

ACS Friendship Quilt: 1995  (Started: 1992)

The ACS Group spent our first year (1991) learning how to piece samplers in the traditional manner.  We had fun together and managed to fit in a few other interesting “technique” days to expand our repertoire of skills and of course to determine quilt construction methods that appealed to us individually. 

ACS Friendship Quilt

By mid-1992, the ladies were willing to give a Friendship Exchange quilt a go and we all chose a simple design to make the task easier on ourselves.   I chose a large Clays Choice block and asked that everyone hand piece it in fabrics they were currently using on their own quilts.  Just for good measure, I asked them to embroider their name on the block.  I added a couple of additional blocks to make a lap quilt size then finished it with pink fabric borders – very unusual for me!  Later, as I was still enjoying hand quilting, I chose to stitch a traditional design.

Finally I added some buttons (yes hearts) which seemed the sentimental choice to make a nice complimentary statement about friendships made over the 2-3 years this group was running. 

Detail - ACS Friendship Quilt

Just for the Record:
Quilt Finished Size: 108x 150cm
Block Size: 15”
Cut in: July 1992
Pieced & Basted: Hand 1992
Quilted: Hand 1995
Quilt Type: Group Friendship Quilt
Quilt Finished: 1995
Exhibited: 
Collection: Home# 023
Pattern Name: Clays Choice
Pattern Source: Ruby McKim’s Book
Fabrics Purchased: Group Choice
Fabric Design: Floral Prints & Plains
Fabric Style: Cotton
Materials Type: Cotton
Wadding Type: Thin Poly Batt
Backing: Cotton

Lessons Learned:
I had now been quilting for nearly 8 years and I finally came to the conclusion that hand-stitching quilts, whilst lovely to look at (and a chance to Zen out for a bit in a hectic life), was holding me back.  I had a wish list of quilts a mile long and somehow my creative spirit was starting to rebel.  The TAFE classes had included a few on machinist skills so I was well prepared to tackle the accuracy demanded when machining together a top.  It was time to up-skill.    

Ed Note:

Participants in this project included:
Diana  - Overall Sam,
Chris - Doe & Darts,
Monica - Little Boys Britches,
Cathy H - Checkerboard Heart, 
Cathy J - Our favourite traditional design, Ohio Star; &
Me - Clays Choice.

City Slickers 1991

Into the Fray 1991-1997

After my time in country areas Queenscliff, Geelong and then Tamworth I found getting into a group in Sydney somewhat discouraging.  Many groups had full membership and I didn’t want to travel far in city traffic for meetings.  One lady (who owned a patchwork shop) even advised me to start my own group…  So I did in a way.

I made an offer to a nearby ACS team to voluntarily teach quilting, so a friendly P&Q Group started 27 April 1991.  We met fortnightly, continuing for nearly three years until the demise of the ACS office.  Staff was relocated and a total area reorganisation left us without sufficient numbers or a space to continue.  I too had started a full time job in the city, which was quite exciting but it left me little time to keep up a hectic schedule of regular classes. 

During my searches I discovered that the TAFE (1991-1992) at Dover Heights ran a Commercial Needlecraft Course and were offering a Machine Embroidery elective.  My application to attend this night class was successful and the class turned out to be every bit as interesting as I had imagined (after my workshop with Wendy Wright in Armidale).  Following on from this experience, I enrolled in the Home Furnishing & Décor subjects to learn how to sew my own curtains, cushions and lampshades.  As you do…..

By that time I had also unearthed a nearby Guild sponsored Quilting Group (1991).  This fairly large group met regularly but mostly at a Quilt & Bernina shop.  It was an evening group which I had thought would suit me but I found that my commitment to TAFE and work left me in need of evenings at home.  This group had a hefty program of swaps, exchanges and workshops so after a few meetings, I found I could not keep up and sadly had to leave.  

My new workplace offered me a number of surprises including a whole department dedicated to teaching craft.  One of the teachers invited me as a guest to her group at the Literary Guild.  These ladies met monthly on a Saturday.  They had a space in a machine quilting workshop in 1995 and I willingly accepted.  By now I was starving for quilting companionship!  I can remember they were all happily showing me their recently completed project – jewel box tops – and I felt at home immediately.  After a few more guest appearances, I joined the group and remain with them to this day.  The group gave up having organised workshops after a while; too many unfinished projects I guess!  They took a breather by 1998 and began generally working on their own (without an organised schedule).  Now we still meet monthly and get together for an occasional workshop, exhibition or lunch.  Lately, we’ve fitted in a few “shopping” trips…as you do to replenish that stash – not that we really need it but it’s always fun!

Sometime later I found an evening Embroidery Group where I was able to fit in a little embroidery too (with hopes of returning to finish my silk crazy) with my quilt stitching.  Sydney was indeed proving to be the land of opportunity!

Provenance

I can’t leave "Tamworth" without commenting on how difficult it has been so far to “recollect” details of my quilts.  Despite leaving a fairly decent paper trail courtesy of TAFE notes, photos, diaries and a feeble attempt to make up a Quilt Album (a bit of a fad in the 1980/90’s) I still find it difficult to date my quilts in detail.  Yes, I do sign and date my quilts – an early “must do” subscribed to by teacher Joc at Queenscliff - but only with the basics.  I’ve since made up a few labels with additional information such as quilt titles and try to embroider this detail rather than just pen it on. 

Keeping an annual appointment diary also helped as has my list preoccupation.  At the end of 1996 I must have decided to write up a wish-list (with pattern details) and added to it my UFO’s, which seemed to be getting out of hand.  Most years since, I’ve made this list-making my New Year’s priority.  That way I can keep a promise to myself to finish off at least one UFO a year (regardless of how much I really dislike it) before surrendering to something new or signing up for an impossible to finish workshop schedule. 

1922 "Wedding Quilt" MJH
NGA Collection

What brought me to comment on the value of labelling quilts?  The Armidale Symposium in 1990 held a Quilt Exhibition (14-19 September 1990) as part of its activities.  Aside from nearly 100 quilts from members and Symposium teachers, the exhibition had a special showing of two 1920's quilts by Mary Jane Hannaford, of Blandford (and also Tamworth), NSW.  Margaret Rolfe mentions an unknown MJH in her 1987 book, Patchwork Quilts in Australia.  At that time little was known of the elusive MJH, however, at least 3 of her quilts were in the safe hands of the Australian National Gallery at that time. (See photos above & below).  Because MJH initialled and dated her works, we now know of a further 4 quilts (6 are now held at the NGA along with a workbook of poems and sketches) and at least one other quilt, owned by a private collector.  Research and information has brought to light her name, her history and a little more of her life details. 

1924 "A Last Day" MJH
NGA Collection

We also have a wonderful on-line resource in the National Quilt Register, so if you have something that could enhance our understanding of early Australian life and textiles, help this resource list to grow. 

It is best then, to follow the advice in just about every quilting book out there and sign and date your work at the very least.  Future family members, quilt historians or owners may just want a little provenance with your quilt legacy left to them. 

Sadly, I don't have any photos from the Armidale exhibition but I did copy down a poem written by MJH.  She was indeed an inspiring and creative spirit from our early history.

Omission

It isn't the thing you do, dear

It's the thing you have left undone,

Which gives you a bit of a heartache

At the setting of the sun.

The tender word forgotten,

The letter you did not write,

The flower you might have sent, dear

Are your haunting ghosts tonight

The stone you might have lifted

Out of a brother's way,

For life is all too short

And sorrow is all too great

And it's not the thing you do

It's the thing you leave undone,

Which gives you a bit of a heartache

At the setting of the sun.

written by Mary Jane Hannaford, 1840-1930

Artful Machining

Machine Embroidery Workshop: 1990

I managed to find a space on a machine embroidery workshop in Armidale (Jul 12-14 1990) with Wendy Wright ADVA which was quite exciting – and rather liberating as well.  I learned to push my old (even then!) Elna to its limits.  Of course everyone else seemed to have a fancy Bernina, but it was still fun and came in good stead a few years later in Dover Heights.   I produced a few interesting samples but saw opportunities to use this artistic technique mostly on garments rather than quilts.  However I didn’t really have much time to follow it up.  We sadly missed out on having the subject offered at TAFE (during my time there) and I made a decision that it wasn’t really my area of interest at the time given all the other tempting options available.  What the course did offer me was confidence in using my machine as a means of artistic expression.  Fast forward to lessons on domestic machine quilting in Randwick a few years later and I could really push that technique much further!   

Hard at work in my downstairs studio

Well, that about wraps up my couple of years in Tamworth “going academic”.  I didn’t actually produce terribly much in the way of quilts, but I did learn a lot in terms of skills, knowledge and experience.  My TAFE teachers were fantastic, knowledgeable and very supportive.  Importantly, we were encouraged to see beyond our current passion for craftwork, to use it as a framework to support other (perhaps more profitable) ventures.  So with my mind bursting with ideas, we packed up our happy home (including my burgeoning craft collection) and moved back to the bright lights of Sydney.

(A repeat photo I'm sorry to say, but photos of that time are just so few and far between.)

On Show

 

I participated in a couple of other ventures during my Tamworth time.  All were wonderful experiences which added to my "toolkit" of experiences. 

Regional Fibre Exhibition: 1989

The Tamworth Art Gallery hosted the Regional Fibre Exhibition (18-27^th September).  This was an exciting opportunity to be offered as a TAFE student.  I had three items chosen – my Little Boys Breeches  (1987), Joy Ride (1989) and Government Camp Lillies (1989).  There is nothing like seeing your work hanging in such a professional setting!.  Aside from the value of stepping away from your work (we often view our quilts closely as we stitch) to see it as a “whole”, the other thing that impressed me was attention to quality.  To see quilts hanging perfectly (no frilly edges) and flawless quilting (neat stitching, quilting suited to the quilt design etc) proved that striving for technical perfection was worth it.  Some quilts just popped out like wonderful works of art.  (Barbara Macey was my inspiration here!)

Regional Evening College: 1990

I put together a couple of workshop ideas to fill “gaps in the market” and taught out of the Tamworth Regional Evening College. This was a worthy experience and built on my knowledge gained teaching at the Queenscliff Neighbourhood House.  I was rather more nervous teaching in Tamworth, as in Queenscliff I had always felt I was just helping out friends.  The most popular workshop was machine applique and we certainly had lots of fun with that!  Whilst the money did supplement our coffers a little, teaching in the evenings was challenging given our family circumstances.  I really enjoyed the teaching aspect however and wanted to learn more about it....one day!

Craft in the Park, a collage of photos from the day

Fibre Fest: 1990

Part of our TAFE course requirement was to plan setting up a small business.  Our group decided that running a craft making venture would be a useful learning tool and our products easy to sell at local craft markets – the ideal starting place for many a more grand business.  I decided that I would work on needlework kits and baskets, something not readily available locally.  I had fun making them, managed to sell a few and decided that the old craft dilemma (recovering the costs of your time) made the business aspect of craft work not worth pursuing for me personally.  I can say that we did all have fun, found the business aspect of craft not so easy and laughed to find cheap copies of our products offered at the markets a few months after.   Ah, competition…..

Sadly, TAFE no longer offers Commercial Needlecraft courses.  Although I did not take up craft as a business, this course was a most useful tool to realise the demands and challenges of working in the industry professionally.  It also provided me with a huge opportunity to learn about my personal capabilities   Some time later, I did re-assess this situation and prepared a thorough business plan based on my Tamworth TAFE learnings.  Again, that business was not to be (by choice) but I don't believe that my time was ever wasted researching it and certainly all the better for my time studying at TAFE.

Busy at our "Sew Special" Table

Fresh Beginnings

Tamworth Community Art & Craft

There was not a Guild as such in Tamworth but a couple of local groups did exist. At the time I joined up with a group offered by Tamworth Community Art and Crafts.  As my life was pretty much consumed by TAFE, I don’t think I used my time there to do much other than finish off “what was due”.  Either way, I met some nice people and confirmed that quilters are a friendly bunch.

Moon over the Mountain: 1995  (Started: 1989)

The Tamworth Patchwork & Quilting Group was led by Lyn.  At some stage the members had each appliqued a “Moon over the Mountain” challenge block and when I joined, Ruth was in the process of machining the blocks together in fun way.  I loved the colours – strong pinks balancing the blacks and checks to tame the “cuteness” of the finished blocks.  In Nov 1990, I bought this top as a memory of my 2 years in Tamworth.  I finally got round to quilting it in 1995 (hand & machine) and then added a small Moon over the Mountain block of my own on the back as a signature block.

Tamworth Moon over the Mountain

Just for the Record:
Quilt Finished Size: 135x 178cm
Block Size: 12”
Cut in: 1989
Pieced & Basted: Machine 1990
Quilted: Hand 1995
Quilt Type: Group Challenge Quilt
Quilt Finished: 1995
Exhibited: 
Collection: Home# 022
Pattern Name: Moon over the Mountain
Pattern Source: Traditional
Fabrics Purchased: Group Choice
Fabric Design: Prints & Plains
Fabric Style: Cotton
Materials Type: Cotton
Wadding Type: Thin Poly Batt
Backing: Cotton

Lessons Learned:
I loved the adventurous border colouring in this quilt and the way it “hangs” all the individual blocks together. After finishing the quilting, I was determined to be a little more radical (ie brave!) in my colour and fabric choices. 

Really Back to School

Trouble & Strife: 1989

Aside from my mammoth TAFE (and other) undertakings, I still wanted to do something for the children’s school - a fun project that their class could participate in and either keep or raffle.  As a result, I came up with the idea of a series of self-portraits (art/quilting/sewing) combined with a collection of their special things. I was kindly allowed to run this workshop with them. 

So, this project was undertaken with the Year 2 (J’s class) at St Mary’s Primary School, Tamworth.  Class requirements were for each child to bring in some of their favourite fabrics (a ragbag remnant from old shorts or dress etc) and some buttons or badges to decorate the quilt. 

In class, each child drew a self-portrait on pre-cut blocks (12 ½“) using fabric (heat set) crayons, then signed it.  I noted where they wanted their decorations added so that I could sew them on later at home.  Despite drawing in seam allowances on each block, most children made full use of the block – a bit tricky when it came to sewing it all together!

The faces (blocks) were arranged in the same order they sat in class.  I added lattice strips made from the fabrics the children had supplied, taking care to ensure I didn’t mix them up.  School colours were then used to frame the blocks.  The quilt was machine pieced and tied with all the buttons, ribbons and badges that the children & school provided.  The whole project took about 30 hours of my time (over September October in 1989).   The children were very pleased with their work. 

Sadly my photos are shockers but I guess I am fortunate to have them.  Never mind - always wise in hindsight!