TideMark

Tidemark: 2021  (Started:2019)

I just love scrap quilts and after a rather too-long hiatus and an overflowing scrap bin, I felt the urge to search the net for inspiration.  Thanks to viewing an “extreme” (well, for me) quilt collection makeover by Pat Sloan, dying of envy for Jeni Baker's (In Colour Order) organised stash and suggestions by my friendly quilting buddies to check out Bonnie Hunter for her scrappy quilts, I present to you my take on Bonnie Hunter’s 2014 leader & ender challenge quilt.

Bonnie’s original design inspiration came from an old quilt named “Stained Glass”. It was made in 1890 by Frances Clarke Westergren of Boston and can be found in the book “Massachusetts Quilts, Our Common Wealth”.  It looks just fabulous as it is but also serves as great design to mess about with and to add your own personal touches. 

My scraps were not so much scraps but fabrics from a Moda Metro Mixologie Layer Cake pack lying dormant in my “Collections” box just waiting for the right moment to present itself.  I wanted a modern look, and if anything, thought using this selection of fabrics might lead to the quilt looking a bit too samey-samey (bland!).  Perhaps to rescue it, I decided on a black and whites for the corner blocks.  Not wanting to waste any of my Layer Cake pieces, I modified Bonnie’s block to suit, i.e. larger pieces.  Now that took some math effort! 

I’m normally fairly lazy when it comes to cutting – lulled by the ever-accurate rotary cutting instructions in Judy Martin’s books, so this came as quite a shock for the old grey matter.  Never-the-less it worked out and my math held up, until after a loooong break in proceedings, I inadvertently cut my remaining corner squares the wrong size.  Back to the drawing board, hi ho!  I now cut shapes then store them in sandwich bags; all clearly labelled with sizes.  

I’d planned to make this for a friend’s 60th (it did take a wee bit longer though) as the colours seemed to suit those chosen for her house renovation.  And the modern design, highlighted by the black & white corner blocks, looked great.  To me, it was very much in keeping with her outlook on life.  She loves the water, and as the quilt looked rather like tiles in an exotic swimming pool, I chose to finish it off with a medium stipple (or meander) pattern.  

For those interested in Pat Sloan’s stash management process, here is a link to her blog post.  Pat offers a quick and easy approach to sorting out the bags, boxes and suitcases full of scraps into functional scrap sizes. Now all I need is the time to be so organised - ha ha!   

The garden is a bit too shady to show the quilt colours at their best

Just for the Record:
Quilt Finished Size: 159 x 190cm
Block Sizes: 4.5 x 8.5” rectangles; 2 ¾” squares (incl s.a.)
Cut in: 17 Jan 2019 (started working out pattern size)
Pieced Started: 21 Mar 2020; Finished: 28 Dec 2020
Basted: 2 Jan 2021
Quilted: Machine: 15 Mar 2021
Quilt Type: Modern
Quilt Finished: 24 Mar 2021
Exhibited:
Collection: Home #071
Pattern Name: Lozenges
Pattern Source: Bonnie Hunter 2014 (PDF pattern here)
Fabrics Purchased: Moda Metro Mixologie layer cake…
Fabric Design: Prints, Stripes & Dots
Fabric Style: Brights
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants
 

Progress underway in 2020

Cross Roads

At this point (the start of 2021) and with time at home to think, I found myself dithering over where and how to organise my posts featuring finished quilts.  When I started this blog, it was easy to list quilts by "year started" as all I had was a photo of a finished article.  Now I am at a cross-roads with UFO’s.  I have bits & bobs here & there and lots on the go in the WORK BOX too.  Not to mention quite a few unfinished items.  I wonder (to myself loudly) if it wouldn’t be easier to change mid-stream and begin tagging projects by year finished.  What a beat-up!  What a lot of work!

But this great idea has since hit the floor with a thud… Everything would have to be re-arranged and perhaps nothing would make any sense.  There would be no apparent logical order.  And the world as we know, loves order.  Yes, even finding it in chaos. 

However, I've since had an epiphany. My plan now, after all this wasted time on “will I or won’t I” debate, is to note:

   1. The FINISH & START year in my post sub-headings. 

   2. The FINISH year in a "label cloud" making it easy to search.  

All dates will still be located in "Just for the Record" notes of each finished quilt and every post will still be dated according to time/date posted.  In all, this organisation should allow me to easily find key quilt dates, and enable linking of posts (perhaps), even in-progress reports (if I'm super-keen).  I’m so very slow to finish quilts, some taking years (and years) to finish so it is easy to forget details.  And doesn’t everyone keep digital photos and an excel spreadsheet (a documented quilt list) of their wonderful creations?

There, that feels better.  Now, did you really need to know this? 

Wildflower in the Blue Mountains

 

Shopping from Home - oh, stash...

 Making Christmas Gifts (Japanese Rice Bags) 2020

In the interests of “shopping from home” for Christmas gifts in 2020, I decided to make simple bags from my stash for family and friends.  I wanted something that was a useful size, not too complicated to sew and yet looked a bit different.  Take a bow, the humble Japanese Rice Bag, Komebukuro.  Stuart Hillard offers an easy-to-follow tutorial that makes fun viewing. (Link to his Japanese Rice Bag tute here).  Stuart’s pattern is a classic box shape but I wanted something a little more tote-like (probably not a rice bag, then?) with handles.  I’d also seen a pattern with ties rather than handles, a Furoshiki Tie Bag but the pattern was rather complex and used quite a bit of fabric.  BeBe Bold had a nice one but they don’t appear to stock it any more.  It did require quite a bit of fabric making it somewhat of an expensive kit.  This one by Kokka Fabrics looks good too – but I’ve not tried it yet.  (Now that I look at it, the Kokka pattern was similar to the one included in the BeBe Bold kit!) I really loved the little tie handles that made it just so sweet.

Margaret uses hers for her knitting 

Eventually, I settled on a pattern from SewCanShe.  Her Japanese Tote comes together very well and I managed to make two, maybe three bags a day, once I had everything cut up and ready to sew.  I also used wadding leftovers rather than interfacing to strengthen the bag.  I didn’t add drawstrings, they pulled the bags and made them look a bit too unstructured for my liking.  The bags worked up a treat, were relatively simple to make and I think, were well received.

A fun print and who doesn't love polka dots?

Of course I gave them all away before taking a photo.  As you do!  And as we're not quite out & about so much these days, it may take a while until I can locate one for the blog shot... 

(Ed: Visits made and photos finally taken...only 18 months later!!)

A Sunshiny Day

 Summertime: 2020  (Started: 2016)

This quilt was something of a mis-adventure.  I just loved being able to paper-piece these wonderful Sue Ross circles and so, for quilt #3 in this design, decided on using a selection of blacks and whites I had acquired over the years.  Yes, including a stash of FQ’s purchased from Keepsake Quilting in 1999.  So, in early 2016, I began piecing up my B&W Circles of Fun.

I kept at it for a while but something was just not working and so it was stuffed, forthwith into the UFO Box.  Fun it was not.  March 2019 must have been a watershed moment because I don’t often unpick a quilt to basics.  But this one needed it. 

Thus, after lingering for another 12 months, it assumed priority as a project to complete during my “early pandemic” therapy.  I really just wanted this B & W monstrosity finished and off the books.  So as to speak!  Its rebirth took most of 2020; I trimmed down the size, removed those hideous pink circles, and turned the border into the backing.  And voilà, all ready for quilting.  By 25^th December 2020, I had another long-term UFO finished.  I added a final touch of bling with some of my grandmother's black buttons to tone down the little yellow centre circle. In honour of it's December finish and bright vibe, it was named “Summertime”. 

A holding photo until I can get a better shot - I'm learning lots about photographing quilts too!
And now that I look at it, I think that centre yellow circle may have to go too...

View the top pre-makeover.  All I can say is, that at the time, it was getting there.  Where-ever "there" is.  Now, I know for sure it’s not the best thing I’ve ever done, but at least its finished and was fun to make.  A foray, if you will, into the world of modern quilting that de-railed a bit but as it’s often said, “the next quilt is your best one”.  That’s rather like “free beer tomorrow” offered at your local.  We’ll see.  

And if you want to share some sunshiny too, here's Jimmy Cliff.

Just for the Record:
Quilt Finished Size: 131 x 131cm
Block Sizes: 21”
Cut in: 13 Feb 2016 (started)
Pieced (1^st try): 8 Apr 2016
Still in Work Box: 24 Jan 2017 (not loving it)
Reconstruction: 26 Mar 2019
Top Pieced: 20 Feb 2020
Basted: 25 Feb 2020
Quilted: Machine: 20 & 22 Dec 2020
Quilt Type: Mostly Modern
Quilt Finished: 25 Dec 2020
Exhibited:
Collection: Gifted 3 Oct 2023
Pattern Name: Circles of Fun
Pattern Source: Sue Ross
Fabrics Purchased: The Stash & B&W Medley purchased in 1999…
Fabric Design: Prints, Stripes & Ethnic prints
Fabric Style: High Contrast B & W with a dash of yellow
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants of original borders

Louisiana Charm

 LeMoyne Stars: 2020  (Started: 2020)

By April 2020, I’d realised that living with COVID was going to be challenging.  I belong to a (non-quilting) group with a small membership who had been unable to meet but we hoped to have a Christmas gathering in order to raise funds for those more deserving.  I thought a simple quilt would make a suitable auction item and help out a bit.

I settled on a Lemon Star pattern from Jenny Doan, Missouri Star Quilts (her fab tutorial 28 Feb 2020, is here) and a nice subtle colour palette of pinks, maroons, greens and creams.  It became my first introduction to making multiple HST’s (half square triangles) which worked out simply and easily, especially with being able to watch Jenny closely and learn from her tips & tricks. 

With little fuss, and seemingly in no time at all, I had a nice top ready to quilt, with time to spare (just) before the gathering.  I normally take at least 2 years to make a quilt, so I was actually rather worried about meeting my deadline.  It all worked out well in the end.  The quilt found a lovely home, a tidy sum was raised, and my stash is slimming off…albeit rather too slowly.

Scrappy stars, pretty in pink (hanging from the "sail loft")

To my mind, the finished quilt had a bit of a French air about it.  The traditional LeMoyne Star block is thought to have originated about 1834 and is named after the Le Moyne brothers who settled in the French Colony of Louisiana in 1699.  Later, in 1718, they founded New Orleans.  The State is home to the Mississippi River, wet-lands called bayous, shrimp boats and oil rigs.  Think vibrant jazz and foot-tappin’ zydeco.  And alligators.  Let’s not forget the ‘gators. 

Out in the garden with that cranky helper, again... 

Just for the Record:

Quilt Finished Size: 190 x 190cm 

Block Sizes: 10” 

Cut in: 17 Apr 2020 

Pieced & Basted: 22 Oct 2020

Quilted: Machine: 1 – 11 Dec 2020

Quilt Type: Traditional

Quilt Finished: 12 December 2020

Exhibited: 

Collection: Home #069

Pattern Name: Lemon Star

Pattern Source: Missouri Star Quilts Tutorial 28 Feb 2020

Fabrics Purchased: From the Stash…

Fabric Design: Traditional Prints & some Stripes

Fabric Style: Soft

Materials Type: Printed Cottons 

Wadding Type: Cotton

Backing: Pieced using left-over remnants & blocks

Underway & trying to find the right balance
of colour for the borders..as you do!

Out of the Box...At Last!

 Antique Toys#3: 2020  (Started: 2006)

Well, thank goodness this quilt, be it ever so small, is finally out of the UFO Box and on the Quilt Bed with all of its other buddies. Started in 2006, when I was confined to home with a broken leg, this seemed the perfect something to keep me busy.  And off my feet.

There’s not a lot to tell other than it was quite obvious that once I started this quilt, I regretted taking it on.  Not so much for the blocks; even the applique was quite enjoyable and finding a suitable border to contain it all was not so difficult.  I stipple quilted the blocks and achieved that finish in two days, so I can only say it was perhaps an “allergy” to embroidery that caused this project to sit for so long…well, it sounds a likely tale.  The good news it is finished.  At last!  An embarrassing 14 years UFO.

Not lavished with too much embroidery...

Just for the Record:
Quilt Finished Size: 130 x 160cm
Block Sizes: 12”
Cut in: Prior to 2006 (some blocks started); Work continued from 21 Aug 2006
Pieced & Basted: Blocks worked between 2006 - 2011;
On Design Wall: 2011; Needs Quilting & Embroidery 2013
Quilted: Machine: 4-5 Jan 2014
Embroidered: Hand: Autumn/Winter 2020
Quilt Type: Traditional
Quilt Finished: 31 Jul 2020
Exhibited:
Collection: Home #068
Pattern Name: Antique Toys
Pattern Source: Cindy Taylor Clarke, 1983
Fabrics Purchased: From the Stash…
Fabric Design: Prints, Stripes, Mixed
Fabric Style: Vintage look
Materials Type: Printed Cottons
Wadding Type: Cotton

Backing: Pieced using left-over remnants 

View of the back & the Drum signature block

Previous posts about this quilt design can be found (somewhat embarrassingly) in 1988  and  2006.

Beyond Super-Slow

Windom Variation: 2020  (Started: 2013)

(Warning: I’ve included dates just to emphasise, to myself more than anything, how really “slow” this quilt was in the making!)

In 2012 we visited the Southern Highlands Quilt Show held at the local RSL and after, dropped in as you do, to our favourite shop, Timeless Threads.  I purchased a charming “Windom Quilt” pattern along with a Moda Charm pack that just could not be left on the shelf.  Sadly, Timeless Threads in Mittagong, closed in March, 2013.  (31/3/2013).  Our group had, over many years established quite a tradition of visiting the Southern Highlands to work our way along a quilt/craft shop “trail” that included visiting the villages of Berrima, Mittagong, and Bowral.  We tried for Moss Vale too, lunch and coffee stops permitting. 

This photo is from the quilt pattern showing the finished quilt

Timeless Threads had a sample quilt made up in the Windom pattern and I just loved the scrappy design.  I immediately imagined it useful for my many aging left-overs!  In the main, most of the blocks were small, 4” squares.  This appealed as a highly portable project, easy to take to group meetings, either the shorter evening sessions or even our longer monthly meetings.  The central medallion, a tree, did not suit me though, and I eventually decided to make good use of a semi-finished applique block that had been sitting in my UFO stash (since 1988, gasp!) for rather too many years! 

This applique block has a story all of its own – one of those dreadful blue marking pen stories.  The pen lines had heat set on the fabric (from sitting in my car on a rather warm summer’s day) and refused to budge.  In order to save the nearly finished block, a sampler block from Elizabeth Kennedy’s class at the 1989 Armidale Symposium, I embroidered over the lines and added a few decorative flourishes around the applique, including a few of my grandmother's buttons.  Pleased with my efforts, I felt the block did rather need a wash.  Well, my tub of Vanish took those blue lines right out!  I still shake my head to think of it.  This “magic” became a discussion point of our next (October 2014) meeting. 

Meanwhile I kept working on the blocks for the Windom quilt during both 2014 & 2015 even managing to take some away with us on holidays.  I had enough blocks for a photo shoot on my design wall in March 2015.  Aren’t mobile phones sooo handy!  Anyway, after fiddling around with the colours and preferring a pale colourway, I removed most “strong” or contrasting blocks and had the top being sewn up & basted by April 2016.

It took another 2 years to get that quilt machine quilted and bound.  Don’t think it was finished with me yet, though!  The central medallion still caused me grief and hand quilting seemed to be the only solution.  A pattern on the BeBe Bold packaging lent itself to an interesting quilting design.  One that took another 2 years to finish.  Joy of joys, I finished my Windom Variation on 14 June 2020, only eight years later.

Not the best of photos as light was fading from my verandah
& the holder was complaining. Windom Variation: finally finished 2020

Just for the Record:
Quilt Finished Size: 178 x 178 cm
Medallion: Cut in 1998; continued in Feb 2012
Block Size: 4”
Cut in: Mar 2013
Pieced: 2 Dec 2015
Basted: 13 Apr 2016
Quilted: Machine: started 15 Mar 2017
Bound: Jul 2018
Quilted: Hand: started 30 May 2018 & finished 8 Jun 2020
Quilt Type: Vintage
Quilt Finished: 14 June 2020
Exhibited:
Collection: Gifted 3 Oct 2023
Pattern Name: The Windom Quilt
Pattern Source: Timeless Threads, 31 March 2013
Fabrics Purchased: From Timeless Threads (a Moda Charm Pack) & my Stash…
Fabric Design: Mixed
Fabric Style: Soft
Materials Type: Printed Cottons
Wadding Type: Cotton
Backing: Pieced using left-over remnants